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The Moriarty 1858 Plan

Harbour of Newcastle Shewing the Proposed Extension of the Northern Pier by E.O. Moriarty, Civil Engineer. 1858

Thank you to Mr Rod Caldwell who kindly arranged for his personal copy to be digitised and provided for us to publish to the wider research community.

The full report can be accessed in a number of formats:

Legislative Assembly. New South Wales. Breakwater at Stockton. (Report of Mr. Moriarty Upon Advisability of.) Ordered by the Legislative Assembly to be Printed, 27 April 1858. [5.9 MB PDF File] With Moriarty’s Plan of the Harbour of Newcastle Shewing the Proposed Extension of the Northern Pier.

Moriarty, E.O. Harbour of Newcastle Shewing the Proposed Extension of the Northern Pier. 1858. Full Plan Only [4.9 MB PDF File]

On Flickr – Breakwater at Stockton – Moriarty Plan 1858

‘The Midden’ is Launched

Students show an eye for design - Andrew Cavill's 'Midden' is launched

Students show an eye for design - Andrew Cavill's 'Midden' is launched

One of our final year Master of Architecture students Mr Andrew Cavill has, for the past year, been working on a design for an iconic interpretation, discovery and learning centre at the Coal River Heritage Precinct in Newcastle East. ‘The Midden’, as it has been called, officially went on Exhibition this week.

On behalf of the University’s Coal River Working Party we congratulate Andrew for the outstanding work and commitment he has undertaken for this project. We are delighted with his design and words cannot express the joy of seeing such a beautiful concept reach fruition.

We hope that it can inspire a refreshed approach to re-modelling our city’s birthplace.

I want you all to imagine a beautiful and iconic ‘Newcastle Opera House’ style building at the Coal River Precinct, birthplace of this city. At dusk, above our heads, the light cannon sculptures (as proposed in the Boyce Pizzey Cultural Tourism plan) illuminating our foundation stories, come into being one after another, these light beams culminating together in a central point or ’star’ above the precinct and its Centre. On earth, the Conservatorium orchestra and choirs perform our sesquicentenary piece. This would be such a beautiful cultural happening for the City. We hope and pray that one day such visions can become a reality.

Gionni Di Gravio – University Archivist and Chair – University’s Coal River Working Party

Please Click here for the NBN News Story – ‘Visions for Newcastle’  featuring Andrew briefly speaking about his design. Broadcast Date: November 13, 2009.
http://www.nbntv.com.au/index.php/2009/11/13/visions-for-newcastle/

Exhibition Panel No. 1 for 'The Midden' by Andrew Cavill

Exhibition Panel No. 2 for 'The Midden' by Andrew Cavill

A Slender Strand of Memories by Colin Spiers

World Premere of A Slender Strand of Memories by Colin Spiers

It was with great pleasure and pride that we watched, heard and experienced the world premiere of A Slender Strand of Memories by Colin Spiers.

The World Premiere of A Slender Strand of Memories by Colin Spiers was performed on Sunday 1 November 2009 at 3pm in Newcastle City Hall (Australia).

In 2009 the City of Newcastle celebrated 150 years of democracy as a local government body.

It was back in late 2007 that the Coal River Working Party initiated discussions that would eventually lead to a new Symphonic work in dedication of Newcastle in over 50 years.

The idea was first suggested at a presentation before Newcastle City Council’s Strategic Heritage Committee by Boyce Pizzey. To accompany the inspiring sky cannon light sculptures, Doug Lithgow wondered whether the Conservatorium of Music could arrange a performance of John Antill’s Symphony on a City (1959), originally commissioned by the City of Newcastle.

World Premere of A Slender Strand of Memories by Colin Spiers

World Premere of A Slender Strand of Memories by Colin Spiers

The idea was taken by the Chair of the CRWP to a meeting with Carmel Lutton (the then Head) of the Conservatorium  of Music. Carmel Lutton suggested, that rather perform an old work, why don’t we commission a new piece for Newcastle.

We thought that was a splendid idea and a meeting was then arranged between DVC (Academic) Professor Kevin McConkey, Professor Terry Lovat and the Head of the Conservatorium which resulted in Colin Spiers, a Senior Lecturer in the Faculty of Music being commissioned, on behalf of the University, to write a special choral symphony for Newcastle’s sesquicentenary of local government celebrations.

Composer Colin Spiers

Composer Colin Spiers at the performance of A Slender Strand of Memories

The symphony is a commemorative work evoking an emotional response to a great city’s past by linking this to our common, present aspirations and hopes for the future. It uses text that comes from various periods of Newcastle’s history.

One text in particular that features in the work is Charles Holmes’ diary (1889) that was donated to Cultural Collections a number of years ago by local historian Wendy Swan. I’m sure she, as well as Charles Holmes himself, will be thrilled that it has now made it into a symphonic and choral work celebrating Newcastle.

A Slender Strand of Memories was performed by a 64 piece orchestra comprising University of Newcastle music students and professionals and a 160 voice choir comprising the Newcastle University Choir, the award winning University of Newcastle Chamber Choir, the University of Newcastle Student Choir, and the Callaghan Childrens Choir.

The gala concert in Newcastle City Hall on Sunday, November 1, 2009, at 3:00 pm, was the Symphony’s Australian and world premiere. It was a mesmerising performance.

World Premere of A Slender Strand of Memories by Colin Spiers

World Premere of A Slender Strand of Memories by Colin Spiers

It was a real joy to experience, and stands as a once in a generation experience that we were proud and honoured to be a part of bringing to creation for Newcastle.

Gionni Di Gravio
University Archivist and Chair – Coal River Working Party

[In Transit] University of Newcastle Final Year Architecture Exhibition 2009

In Transit - University of Newcastle Final Year Architecture Exhibition 2009

In Transit - University of Newcastle Final Year Architecture Exhibition 2009

In Transit - University of Newcastle Final Year Architecture Exhibition 2009

All are welcome to attend an exhibition of designs by 2009 final year architecture students. The Invitation flyer for [In Transit] University of Newcastle Final Year Architecture Exhibition 2009 is above and the event is to be launched Friday November 13th 2009 at 6pm (for 6.30pm) at the Architecture Design Studio University of Newcastle.

Of especial interest is the final design by Andrew Cavill for ‘The Midden‘ which is the title of his beautiful and inspiring design for the Coal River Interpretation Centre. Andrew has synthesised thousands of years of Newcastle and the Hunter Region’s cultural and environmental heritage under the one roof in an iconic building design.

'The Midden' - Concept Design for Coal River Interpretative Centre by Andrew Cavill

'The Midden' - Concept Design for Coal River Interpretative Centre by Andrew Cavill

For the past year University of Newcastle architecture student Andrew Cavill has been working on plans for the historical, cultural and environmental interpretation, discovery and learning centre as part of his final year project. The final design has brought to life an iconic building structure that could will do Newcastle a great honour if the vision could be ever be realised. It includes exhibition and theatre spaces, art and craft and restoration and conservation workshop areas.

'The Midden' - Concept Design for Coal River Interpretative Centre by Andrew Cavill

'The Midden' - Concept Design for Coal River Interpretative Centre by Andrew Cavill

The goal is to improve our understanding of how Newcastle has developed into the city of today,  Mr Cavill said.

So please come along to support this fantastic new vision for the Newcastle’s Coal River Heritage Precinct.

Andrew Cavill - designer of 'The Midden' Architectural Concept design for Coal River Heritage Precinct Newcastle Australia.

Andrew Cavill - designer of 'The Midden' Architectural Concept design for Coal River Heritage Precinct Newcastle Australia.

WHEN: Friday November 13th 2009 at 6pm
WHERE: Architecture Design Studio University of Newcastle
COST: Free

[In Transit] University of Newcastle Final Year Architecture Exhibition 2009 (PDF file 512KB) – Download the invitation flyer here

Newcastle in 1945

Story of a City – Newcastle 1945 from bob cook on Vimeo.

This is a real treasured snapshot in film of Newcastle in 1945. Thanks to Marcus Westbury for posting it on his Facebook page. See a number of other videos of historical interest to Newcastle and the Region on Bob Cook’s Vimeo site, many by Bob himself. Thanks Bob.

For Newcastle in historic film see the British Pathe site:
http://coalriver.wordpress.com/2009/06/17/newcastle-and-related-newsreels-from-british-pathe/

'Newcastle Heads' from the Illustrated Sydney News 26 June 1875 p.13

'Newcastle Heads' from the Illustrated Sydney News 26 June 1875 p.13

Over the past couple of weeks,  we have reviewed all the activities in which we are involved, and have taken to opportunity to refine our Mission objectives, goals and the necessary actions needed to achieve them. Please have a look at our Goals page by clicking on the tab on the blog’s header or located here: http://coalriver.wordpress.com/goals/.

As you can see there are many activities that our University, business partners and community volunteers are working on. We greatly appreciate the time and effort everyone is putting into this essential work.

Why is this work essential?

Newcastle’s history is closely bound up in the plight of history in Australia. The Colonial settlement that was set up here a couple of hundred years ago was a convict jail, and understandably, our records were not kept with the inmates, but with the jailers.

Our archival heritage is somewhere else, broken up like Humpty Dumpty and scattered to the four winds. The result is that we don’t really know who we are. We also seem quite content to bulldoze the past and cover it in concrete, as though something new and shiny will make everything alright.

The irony is, the more you look back, the further you see into the future. If you don’t know where you’ve been, you can’t know where you are going.

With the arrival of local archival repositories in the 1960s and 1970s, in the form of the Newcastle Region Public Library’s Local Studies and the University’s Archives, our region finally had a chance to locally safeguard its archival records for future generations.

It is impossible to write history without archival records, and so,  it is equally crucial that we try to locate our historic records and study them. And while it’s futile to believe that we can put Humpty Dumpty exactly back together again, it’s vital that we know what became of the pieces and how they fit into a wider tapestry or mosaic of knowledge. Our work in re-assembling this mosaic proves to be more interesting with each new piece, and it is thrilling (and fun) that our history could prove more interesting and challenging than we had ever dreamed.

Once a cohesive narrative(s) begins to be re-established based upon the extant archival records and sources, we also need to then verify that evidence with surviving physical evidence, and that is why we have tried very hard to seek archaeologists to help us. With ancient Aboriginal culture this work entails documenting and recording their ‘archives’ which take the form of cave paintings and engraving sites. Across the region these are under threat through natural erosion, theft and vandalism (both conscious and unconscious).

We also have Government legislation, created with all the good intentions of politicians that are paid to professionally debate (i.e., argue) along political lines. Once the law hits the community, it is no surprise that we argue and bicker as well. Thoughtful debate is much of the time sadly lacking when it comes to the protection and study of our history, which at most times is pitted against progress.

We need to re-examine whether our legislative framework with regards to our heritage is having a good effect, or creating more trouble in our countryside. It doesn’t make sense to me that we allow development applications to pass on land that we know might have important historical sites, before we know what is under the ground or on it.

It is no surprise that telling a developer these days that they have history under their feet is akin to telling them they have syphilis. They see it as a hindrance to progress, rather than a joy. Indigenous legislation is also a mine field, pitting Aboriginal people against one another with regards to Land Rights and Native Title. As the land is torn up, people are torn up with it.

As it stands, the legislated requirements for research of our history in Development Applications is not an independent process. Historians and archaeologists are in the direct employ of the developers, they investigate, document archaeological finds, create reports that remain the property of the developer. Is it right that our history then becomes the possession of a company, or private business? It is our shared history, and the use of archival institutions depends upon knowledge being shared and placed back into the ‘community bank’ for the next researcher to build upon that work. That’s how it works, by sharing knowledge. It also saves much time and effort.

With regards to primary and secondary schooling we are also aware of how much local knowledge appears missing, and/or out of reach of our educators. While it’s important to know about Uluru, isn’t it also equally important to know about our local sacred Mt. Yengo?

The Aboriginal people did not simply vanish after Cook arrived in 1770. Neither did they, and this land, simply come into being when a white European saw it for the first time and ‘discovered’ it. And neither did they both become someone else’s possession once pen hit paper and magically drew lines of the original Surveys. The more they drew, the more our surveyors acquired for the Crown. This was white man’s magic.

What is emerging from our collaborations is that our black and white cultures mirrored one another.

Whibayganba was the dreaming place of an imprisoned Kangaroo, and so was Coal River the place of interment for convict men and women.

Threlkeld met the Aboriginal people at the site of the Government Farm, (the former Palais site) in 1825, and besides providing him with the civilised welcome to Newcastle, they invited him and his family to watch them dance. And we later find, at the same place, that many people met and later married after dancing at the Palais.

There is no distinction between Black and White history, we need to see ourselves as beings within the spiritual contiuum of Aboriginal Dreaming, as they are a part of our very brief history here. And so the work of seeing new ways of learning from our shared history continues.

Having the privilege of working with a research group such as the Coal River Working Party has brought us in contact with many wonderful and generous people, who have much to impart about this amazing place in which we live. I love the collaborations that are being spawned across the University and beyond, and I sincerely hope that it helps people to understand one another and the land we all share a little better.

Newcastle and the Region’s history is of vital importance to the story of Australia. It was the birth of our economy and industry, and has been powering the Colony to Nationhood ever since.  It is also the home of many people and its vitally important that we respect and love it.

I hope that our community can come together and give this place the support it needs in order to be historically recognised at all levels. It is high time it gets the recognition it deserves.

Gionni Di Gravio
University Archivist and Chair – Coal River Working Party

H.T. Plews - Harbour of Newcastle N.S.W. (Plate 5) (1858).

H.T. Plews - Harbour of Newcastle N.S.W. (Plate 5) (1858).

The paper by Henry Taylor Plews “On the Coalfield of New South Wales” was published in Volume VI of the Transactions of the North of England Institute of Mining Engineers (1858). It is one of the early reports of the geology and mining in NSW, and is accompanied by 8 plans. The work of tracking down the original work and digitising the plates in full colour was undertaken by Mr. Russell Rigby 2009. We thank him for his work in bringing these amazing plates to the wider research community.

For our indigenous researchers of interest is Plate No. 2 which contains a possible Aboriginal name for South Shepherds Hill as Khanterin.

Download the paper “On the Coalfield of New South Wales” by Henry Taylor Plews (1858) Digitised by Google Books. Optimised and OCRed by us.

On the Coalfield of New South Wales (1858) by H.T. Plews (1.3 MB PDF)

For the complete set of plates see our Flickr page here: http://www.flickr.com/photos/uon/sets/72157622235117084/

For our Coal River Collection Flickr page click here: http://www.flickr.com/photos/uon/collections/72157622109975085/

We are very excited about receiving notification of the re-discovery of the footings of the Government farm on the former site of the Palais Royale in Hunter Street. We will be visiting the site this morning and will give updates as they come to hand.

Here are three artistic representations by Joseph Lycett and Sir Thomas Mitchell:

Collector's Chest - c1820

Lycett - Collector's Chest - c1820 (State Library of NSW)

Lycett - Newcastle, New South Wales, looking towards Prospect Hill. (1816?) (Courtesy Newcastle Region Art Gallery)

Lycett - Newcastle, New South Wales, looking towards Prospect Hill. (1816?) (Courtesy Newcastle Region Art Gallery)

Mitchell - Fieldbook C40 1828 see 'u' for Government Cottage

Mitchell - Fieldbook C40 1828 see 'u' for Government Cottage

In the meantime please look over these notes prepared concerning the significance of this site to the history of Newcastle and the Nation compiled over the last few years.

Notes on Threlkeld’s First Year in Newcastle 1825 – By Gionni Di Gravio

Joseph Lycett (c1774/75 - 1828) - Newcastle, New South Wales, looking towards Prospect Hill.

Joseph Lycett (c1774/75 – 1828) – Newcastle, New South Wales, looking towards Prospect Hill
(Courtesy of Newcastle Region Library)

The item above is a painting that is located in the Newcastle Regional Gallery. All photographic reproductions of this painting cut off the right hand side showing a dob of white paint, which we understand is the Government cottage that the Rev. Lancelot Threlkeld occupied upon his arrival in Newcastle in 1825.

This was the Government cottage we believe was located on the current site of the ruins of the Palais Royale. It was our foundation University Archivist who drew my attention to it back in 2003. No published version of the painting showed the white dab. I rang their curator Donna Robson for permission to bring in a photographer to the Gallery to photograph the whole thing including the extra inch. We were so excited to be able to get the thing photographed and up online.

Soon afterwards I was contacted for information relating to the Newcastle’s West End, especially the Aboriginal connections. I prepared the following notes mostly from the Diaries of Threlkeld published by Niel Gunson in 1974.

Threlkeld sailed from Sydney aboard the Eclipse with his family on the 7th May 1825 and arrived in Newcastle the following day on the 8th May 1825.

On Monday 9th May he made a journal entry that the Commandant had informed him that his cottage was ready. He moved into his cottage which was located “in a very lonely situation a mile and a half from the town” on the Tuesday evening. We believe this was adjacent to Cottage Creek and the site of the present ruins of the Palais Royale.

During the period, besides his preparations for his new abode at Bahtabah, he recorded a number of occurrences at Newcastle in the vicinity of his cottage. (This cottage was painted by Lycett entitled “Newcastle, New South Wales, looking towards Prospect Hill. “

Look for the little dab of white paint on the right hand side of the painting:

Detail from Lycett's painting
Detail from Lycett’s painting

http://www.newcastle.edu.au/service/archives/chrp/earlynewcastle/index.html#lycett

White Robbers
Firstly, on his arrival he said that his greatest fear was from robbers that had burgled him on three occasions, and that he was in fear of being burgled every night. Newcastle having just emerged from being a penal settlement.

A Native Welcome Dance
On the Wednesday evening, 11 May 1825, Threlkeld records that natives had assembled around his house cooking a kangaroo. After they had eaten, they came to invite him and his family to see their dance “which was on account of our arrival among them.” He noted that they were naked and that when “they had concluded they thanked us for our visit and wished us good night.”

Jemmy tells Threlkeld a creation story
Threlkeld on Sunday 15th May 1825 [Gunson p.88] recorded a local creation story in his public journal that he:

“Had some conversation with 4 or 5 Natives who could speak a little broken English, questioned them concerning who made the Sun, moon, stars &c. One of them replied that long while ago one Black fellow threw the vermin from his head into the fire and they jumped up (for became) these things. When they were informed God made them, Me don’t see was the reply for I do not know. Endeavoured to make them understand the object of my mission. They appeared pleased and asked where we should reside in the interiour.” In a retelling of this story in an installment of his Reminiscences published in the Christian Herald 8th July 1854 pp174 – 175 [Gunson p.46] he reveals the name of the Aboriginal who related the story:

“Conversing with an interesting Black, named Jemmy, I endeavoured to ascertain their ideas respecting the creation of the Sun, Moon and Stars. The answer was that a black fellow, a long time ago, made them by throwing vermin from his head into the fire which became a black fellow who made them!”

Native Healing
On the 22nd May 1825 he witnessed a healing ritual performed upon a young girl.

Natives Camped Nearby
On the 29th May 1825 he said that the natives had encamped around their dwelling in Newcastle and had moved around three times previously due to the infestation of fleas that had been attracted to them on account of their dogs.

A Native Burial
On the 3rd June 1825 [Gunson, p.89-90] Threlkeld was invited to witness the burial of a young girl. The location was at a spot in the bushes on a barren sand hill covered with bushy scrub. “After the ceremony of interment was over one came to me and in broken english begged I would not disclose where the body was laid. On enquiring for the reason of this injunction they told me that they were afraid the white fellow come and take her head away.”

Threlkeld reports the atrocities of Whites against Blacks
On 5th Decemeber 1825 he writes to the Attorney General that he had “heard at night the shrieks of Girls, about 8 or 9 years of age, taken by force by the vile men of Newcastle.” He had also seen a man with his head beaten with the butt-end of a musket for not handing over his wife. And also that there are now “two government stockmen, that are every night annoying the Blacks, by taking their little Girls, and I am now waiting to be informed, when they are in the native camp to get them apprehended, but then, as was the case once before, the evidence of the Black cannot be admitted, and indeed they are really terrified to speak. My wonder is, that more Whites are not speared than there are considering the gross provocation given. At this time we resided at the Government Farm Cottage about a mile, or so, from Newcastle.”

On the 12th December 1825 Threlkeld reports that he witnessed an Englishman beating the blacks. Upon inquiring, the Englishman said that they had insulted him, but that he learned that a girl of 10 years old was hiding in the bushes away from the Englishman’s “violence”, and that the person being beaten was the father of the girl who refused to allow her to be taken away by him.

Comments
Threlkeld came to Newcastle in 1825 to set up a mission for the Aborigines of the region. Where did the powers at be locate him upon his arrival, but on the outskirts of town, customarily the place where the Aborigines were.

Also generally located on the outskirts of towns are cemeteries, and general white rabble. Nearby was the Honeysuckle corroboree grounds as well as burial grounds.

The official burial ground for whites at that time was Christ Church, but it is a possibility that since Threlkeld records witnessing an Aboriginal burial in the vicinity of his cottage in Newcastle, that it was also an informal burial site for whites as well, especially those who had been executed or for some reason could not be buried at Christ Church.

Honeysuckle Point (or Cottage Creek) cemetery was officially dedicated on the 25th October 1841, with the first recorded Catholic burial being on the 11th May 1842.

It is also possible that ‘Cottage Creek’ got its name from the Government cottages that were located there, and occupied by Threlkeld on his arrival. His record of what he witnessed while living in Newcastle is what I have aimed to present.

It is also interesting that late last year we discovered the actual date of Biraban’s (M’Gill) death, which has remained a mystery until now. Biraban was the famous Awabakal chief who assisted the Rev Threlkeld compile the first grammar of an Aboriginal language in Australia. Scholars have estimated his death as occurring between c.1842-1850. He actually died on the 14th April 1846.

This was made possible by chance clue found in the Rev Wilton’s reply (dated the 1st May 1846) to the Circular ( i.e. Aborigines. Replies to a Circular Letter, addressed to the Clergy, of all Denominations, By Order of The Select Committee on the Condition of the Aborigines. Ordered, By the Council, To be Printed 31st October 1846. Sydney: Printed by W.W. Davies, At the Government Printing Office.). He said that:

“McGill, the Aboriginal Chief of this tribe, by whose assistance the Rev. L.E. Threlkeld compiled his grammar of its dialect, on my speaking to him lately, but a few days before his death, upon this subject, remarked “they died off like sheep.”"

Could it be possible that Biraban, who was speaking with Wilton (who incidently was stationed at Christ Church Newcastle) at the time, just days prior to his death, was also buried at the Aboriginal burial grounds in the Newcastle foreshore area. It could be the burial place of one of this region’s most important and influential Aboriginal figures.

Where were the Aboriginal Burial Grounds?
From the Article entitled “Early Burial Place – Borough Market Site” from the Newcastle Morning Herald & Miners Advocate, 13th November 1915 p.3. Mr Peter Streit (who arrived in Newcastle in 1857) said that the location of the School of Arts in Newcastle was a burying ground for the Blacks.

“Mr Streit avowed that the site of the Newcastle School of Arts was a burying ground for the blacks, but he could not say whether the old market site was similarly used, although it was quite probable, especially as bodies had been found there. Mr Streit said that when he arrived in 1857 the West End Cemetery had just been opened. He remembered at the time old pioneers of thirty and forty years living in the place who referred to the new cemeteries in such a phrase as “What a fuss people make of burying nowadays. Why we used to nail a box together, and put them in the ground.”

Another informant in the same article, Mrs J.S. Rodgers (born in 1843) said that a paddock existed on the present site of the Newcastle School of Arts and that: “The tide came up to that point, and a sandy beach ran along the harbour front to the Queen’s Wharf, which was a squared mound made of ballast.” And also:

“In those days there were many blacks, and they numbered nearly, or quite, as many as the white population. She always understood that the Aborigines were buried in the paddocks in the vicinity of Hunter Street, but they were very reticent as to the actual places where they buried their dead. Mrs Rodgers had no recollection of any white person having been buried in the paddocks, and had never heard of any such internments.”

Then later in the article it says, and I am not sure if this is Mrs Rodgers’ opinion or the author of the article, but:

“It was quite possible that in the very early days, prior to the existence of any actual cemetery grounds, that white people had been buried in the paddocks, where the aborigines had found their last resting place.”

There’s so much in a little dab of paint, isn’t there.

Gionni Di Gravio
18 February 2008

See the story by Mike Scanlon in the Newcastle Herald:
Fear and Loathing – Mike Scanlon Newcastle Herald 21 July 2007 pp.12-13

Faces from the past: Families research Awabakal blood ties

Faces from the past: Families research Awabakal blood ties

Read the article on Flickr – Faces from the past

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